22 Mar 2010

feuervogel: (michel)
So! It's over halfway through the semester, and that means it's time for me to express my opinions on some of those Japanese cartoons I've been watching.

Tegamibachi: aka Letter Bee: In a weird, super hierarchical fantasy world, people called Letter Bees deliver, well, letters. We meet a kid who's being delivered as a letter, and he's so impressed by the Bee who delivers him that he wants to become a Bee himself. He also wants to find his mother, who was abducted by the top hierarchy. The animation is pretty, but I didn't find anything super compelling about the characters or the story.

Natsume Yuujinchou: A teenage boy can see youkai, and he wants to release the ones his grandmother trapped by returning their names. I still like this. It's episodic, with a slight hint of overarching plot.

Durarara! Weird. I'm not sure I could explain what this is about, but an episode features epic gang warfare that involves one guy throwing a vending machine at another guy. Also, there's a Russian guy living in Japan whose name is Simon Brezhnev.

Brave Story: A boy's parents separate, and his mom becomes ill. He finds a mysterious doorway to another world, where he can get a wish fulfilled if he completes a quest. It's interesting, and based on a novel (which Viz has released in English in their Haikasoru line). Parts of it are clearly condensed. It follows a fairly standard hero narrative, but it isn't dull for that.

Baka to Test to Shoukanjuu: In some weird setup for a shonen tournament show, a high school in Japan has segregated students by test scores into a strict caste system. The top level (smartest) students have a luxurious room, and the lowest have tattered cushions on the floor by broken desks. They can reverse their fortunes by challenging higher classes to a test battle. It's alternatingly hilarious and offensive, but aside from that, fairly typical shonen tournament fare.

Rideback: In a dystopic Japan ruled by martial law (for reasons explained in the first couple episodes that I now forget), transformable motorcycles are the kids' new thing. Our heroine, a ballerina who falls during a performance and sustains an injury that prevents her from dancing, gets sucked into the rideback club, and she's good at it. If you think Initial D with transforming motorcycles and some politics in the background (that start to become foreground in the episodes we watched this time), you've got Rideback.

Toradora: The continuing saga of Ryuuji and Taiga, and their friends. The first season gave me the impression that this would buck the typical shoujo series frame of boy + girl + friend = romance. Some developments in the second season make me concerned that I spoke too soon, but perhaps not. (Shoujo manga really likes to emphasize that boys and girls can't be Just Friends. It makes me cranky.)

Baccano! Weird. Like Durarara, I don't think I can explain what this is about, other than gangsters, black magic, alchemy, and an annoying narrative style which doesn't want to go in chronological order.

Darker than Black: Twilight Gemini: If you liked DTB, but the two-episode plot arcs irritated you because you just wanted there to be some ongoing plot, check out DTB:TG. Hei is back, and he's got a sidekick. It's two years after DTB, and there's some sort of politics involving the CIA, the Russian military, and a new division of the Japanese SDF. If you thought the promo materials showing a teenage girl meant the show would be moe blob anime and ran in terror, it's safe to come out. Coolest bit: Suou Utenas a giant sniper rifle out of her own chest.
feuervogel: (writing)
Today's word count: 1024
Total word count: 61275 (nuked another scene)

I have an opinion on the health care reform ♥law♥ but I don't have time to elaborate. It's not perfect, but it's a lot better than it used to be. I'll make a real post on it ... sometime. Maybe.
feuervogel: (godless liberal etc)
Who said this?

[...]the actual complaint of the worker is the insecurity of his existence; he is unsure if he will always have work, he is unsure if he will always be healthy and he can predict that he will reach old age and be unable to work. If he falls into poverty, and be that only through prolonged illness, he will find himself totally helpless being on his own, and society currently does not accept any responsibility towards him beyond the usual provisions for the poor, even if he has been working all the time ever so diligently and faithfully. The ordinary provisions for the poor, however, leave a lot to be desired [...].

Just the founder of the German welfare state, that noted leftist* populist* Otto von Bismarck. His motives were so altruistic*, weren't they?

(*sarcasm)

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